M

At sit eleifend efficiendi, utroque forensibus vel eu. Eros mandamus ad nam. Ad natum virtute pro, dicit scripserit nec cu et qui dicat.

Follow me:
Tw        Be        Fb        Pin

Interactive

Twisted – connected

Twisted – connected
Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Twisted – connected
Electric story in Sfumato

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Electric story in Sfumato
Humanoid Towers

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Humanoid Towers
Steel and Clouds

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Steel and Clouds
Layers and Repetition

Media: mixed media
Size: 215x140 cm
Year of creation: 2018

Layers and Repetition
INT_Shadows2

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

INT_Shadows2
Mini-Pylons in Motion

Media: Mixed media
Size: 30x90 cm
Year of creation: 2018

Mini-Pylons in Motion
Dancing in the soft light

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Dancing in the soft light
Visible-invisible

Media: Mixed media, video
Size: 215x140 cm
Year of creation: 2018

Visible-invisible
Sfumato drawing

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Sfumato drawing
Cathedral in the Light

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

Cathedral in the Light
INT_Bird

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

INT_Bird
INT_pylonised humans

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

INT_pylonised humans
INT_gown

Media: Mixed media
Size: 215x140 cm
Year of creation: 2018

INT_gown

I’m investing the field of interactive art since my first works in Bulgaria. At the time, it was an artistic expression forbidden by the totalitarian regime. My work The Way (Sofia, 1988) remains an example of the great change to come in Bulgarian art. My in situ installation Seven Humans and one Sun (Sofia, 1989) is even acquired by the Ludwig Forum for International Art of Aachen.
 
Other examples of my interactive artworks are performances such as Dancing on the Pylon (Cachan, 2007), Electric Art (Sofia, 2005), and several exhibitions in the Haute-Couture for High Tension series, such as Power Strip Tease, during the “Nuit Blanche” (Paris, 2013).
 
My exhibition From Industrial Patrimony to Cultural Legacy (Paris, 2018), shows a dozen animated works and receives the international label Europe for Culture.
In 2018, I’m going back to the origins of my concept, while creating interactive works based on movement, transparency, repetition and light; I seek to bring out the invisible and put the visible in the background; I play with layers of tulle and transparency; I draw with the shadows of a building element which I’ve been adopting for a long time – the lattice module.
One is surprised by the electric pylons which are drawn on soft cloths, cottony clouds, or suspended spheres. I’m inviting the viewer to enter my electric adventure, see his portrait in the geometric cutouts of the lattice, try to complete a trap puzzle I’ve created, trigger movements and lights, and distort constructions.
 
A surprisingly sweet and poetic world, even if it’s an electric one…

Category: